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Peter Sharp @ Liverpool Street Gallery, Sydney

December 7th, 2011 by Owen Craven | No Comments | Filed in exhibition, news
Peter Sharp, Moonrise, 2011, oil and acrylic on linen, 150 x 132cm

Peter Sharp, Moonrise, 2011, oil and acrylic on linen, 150 x 132cm

Peter Sharp travelled to Fowlers Gap, far west New South Wales, as one of the participating artists on our Not the Way Home expedition, which is being documented as a major feature in our next issue. The work produced by each artist will culminate in a major touring exhibition, which launches in May 2012 at Sydney’s S.H. Ervin Gallery and will travel the nation for two years.

In returning to their studios, the artists have been left to their devices to produce a body of work that responds to their personal experience of the landscape, its history and its impressions. In addition to producing the work for the touring show, some artists’ responses to the arid landscape have opened a floodgate of creative output.

Peter Sharp’s newest body of work, on exhibition at Liverpool Street Gallery (Sydney), is the product of 20+ years experience travelling to the outback. A lecturer at Sydney’s College of Fine Arts, Sharp has led numerous student fieldtrips to Fowlers Gap. Not the Way Home presented Sharp the opportunity to participate, rather than lead and instruct, for the first time in his illustrious career, and produce a body of work as he discusses in his artist statement:

“This new body of work is about the relationship I have with the landscape of far western New South Wales near Broken Hill. I have been travelling out there for over 20 Years and these paintings, drawings, sculptures and prints are the first mature works I have made about the arid landscape.

They are not a direct rendering of the place but a reaction and evocation of how I feel and relate to the area. Rather than paint the view I made little sculptures of sampled bits of the landscape, then drew and painted from these constructions.

The pictures may appear abstract but all of them come from drawings made on site and then filtered through various media to explain or question how we see the landscape.”

Peter Sharp, studio, 2011

Peter Sharp, studio, 2011

EXHIBTION

Peter Sharp :: Shadowbox

08 Dec to 23 Dec 2011
Liverpool Street Gallery
243a Liverpool Street, East Sydney

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MiCK the Gallery :: Grand Opening

November 8th, 2011 by Owen Craven | No Comments | Filed in exhibition, news

Julia deVille, Bird or Beast Ostrich skeleton, ostrich feathers, mystic spinel, sterling silver, wood, 192cm (h). Courtesy the artist and Sophie Gannon Gallery, Melbourne

A new gallery recently opened its doors in Sydney last month and tonight is their official launch party. MiCK Gallery launches its inaugural exhibition with a group show of represented artists including Nicholas Blowers, Amelia Disspain, Geoff Dyer, Marise Maas, Jessica Tremp, Michael McWilliams, and guest artist Julia DeVille.

The new gallery, which occupies the historic space of 44 Gurner Street, Paddington, is now in its fifth iteration as an exhibition space. It’s been home to galleries since 1976 and is continuing to house contemporary art under director and dealer Megan Dick.

The new gallery will represent both emerging and mid-career artists across a variety of media and practices with a full schedule of solo exhibitions, commencing with Jessica Tremp in November this year.

EXHIBITION:

Gallery Launch Exhibition, until 20 Nov 2011

MiCK Gallery

44 Gurner Street, Paddington

www.mickthegallery.com

New Albion Gallery :: GRAND OPENING

September 13th, 2011 by Owen Craven | No Comments | Filed in exhibition, news
Sam Jinks, Calcium divide, 2011, calcium carbonate resin, 20 x 15 x 17.2cm

Sam Jinks, Calcium divide, 2011, calcium carbonate resin, 20 x 15 x 17.2cm

A new gallery is making its way to Sydney and opens this week! New Albion Gallery will open its doors to the public with an inaugural solo exhibition by Melbournebased hyper-realist sculpture, Sam Jinks.

The new gallery, which is backed by the owners of auction house Deutscher+Hackett, will open in their exhibition rooms on Oxford Street. Since our latest print edition was published, New Albion Gallery has announced it will be moving into the iconic Paddington Gallery that is currently home to Sherman Contemporary Art Gallery (SCAF) in early 2012 (when SCAF moves to their new gallery on the grounds of UNSW).

Jink’s exhibition is set to impress – the work is intricately beautiful and arrestingly fine in precise detail. His works, created from silicone, firberglass and human hair, blur the lines between the real and the manmade. The illusions, though, do not diminish the visceral power they embody as they are at once gentle, moving objects as they are haunting.

Not having held a solo show in Sydney since 2007, this new body of work adds to the excitement of the New Albion Gallery opening and – in time – revealing the rest of its stable.

EXHIBTION

Sam Jinks

15 Sep to 8 Oct 2011
New Albion Gallery
55 Oxford St, Sydney

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Helen Gory Galerie @ MOP!

September 9th, 2011 by Owen Craven | No Comments | Filed in exhibition, news

Chris Aerfeldt, 2011, Her Dizziness Grew, oil on canvas, 180 x 205cm

For the first time, Helen Gory Galerie is set to exhibit in Sydney this September, which will present a handful of their represented artists: Chris Aerfeldt, Abbey McCulloch, Tim Moore, Luisa Rossitto, Carmel Seymour, Jacqui Stockdale and Lorene Taurerewa.

The group exhibition will highlight the dynamic practices of this diverse group of artists. Their works are underpinned by a sense of contrast and contradiction. Nothing is quite what it seems. Hyper- realism sits aside other-worldliness; the smug certainty of reason and science questions the mythology and spirituality of artistic practice; past and present collide and intersect; and firm lines waiver and blur, in works that are rich with complexity and embodied meaning.

Each artist mines and processes their surroundings, weaves their own story into the contemporary fabric of art history, folklore and culture to explore notions of identity and power.

Each artist in this exhibition has a strong critical and commercial following. This will be Helen Gory Galeries’ first foray into the Sydney scene in its 16 year history of exhibitions, further showcasing their artists on the walls of renowned gallery space MOP.

EXHIBTION

Helen Gory Galerie in Sydney

8 Sep to 25 Sep 2011

MOP Projects

2/39 Abercrombie St, Chippendale

www.helengory.com

www.mop.org.au

Issue 16 out now!

August 16th, 2011 by Owen Craven | No Comments | Filed in news


Here’s a sneak peak of what we’ve packed into issue 16 :: out now!

Cover photo by Daniel Shipp Photographer. Video production by Wallaby Way.

The Age of Expressionism

July 12th, 2011 by Owen Craven | No Comments | Filed in exhibition

An exhibition of compelling German Expressionist prints is about to be exhibited at Rex Irwin Art Dealer, Sydney, in the coming weeks. ARTIST PROFILE had the priveledge of a behind the scenes look at the works in the upcoming show and for those who are fascinated by the intense and emotionally gripping works on paper from these German artists then this is definately a show to watch out for.

Käthe Kollwitz, Kollwitz Selbstbildnis im profil, 1927, 32 x 29.7 cm

Käthe Kollwitz, Kollwitz Selbstbildnis im profil, 1927, 32 x 29.7 cm

The period covered by this exhibition was an exceptionally fertile one for German art, which attained a level of importance that had not been enjoyed since the Renaissance. The German Expressionist movement arose out of a feeling of dissatisfaction with the existing order, and a desire to effect revolutionary change. The united goal was to upend social norms, through an acute attention to thoughts, feelings and energies to achieve a heightened understanding or awareness of what it is to be human, which is reflected particularly in the works of Kathe Kollwitz in exhibition; and the psychologically penetrating self portraits of Max Beckman.

Max Beckmann, Selbstbildnis mit Griffel, 1916, Drypoint, 29.8 x 23.4 cm

Max Beckmann, Selbstbildnis mit Griffel, 1916, Drypoint, 29.8 x 23.4 cm

Many of the leading artists of the Expressionist movement found in printmaking the ideal medium for the achievement of their aims, and turned to it with energy and enthusiasm, reviving the woodcut as a favoured genre and experimenting with new techniques and bold vital forms.

Max Beckmann, Adam und Eva, 1917, Drypoint, 22.7 x 17.2cm

Max Beckmann, Adam und Eva, 1917, Drypoint, 22.7 x 17.2cm

Exhibition: 27 July to 27 August, 2011.

Rex Irwin Art Dealer, Sydney: 38 Queen Street, Woollahra.

www.rexirwin.com

Gregory Crewdson speaks with ARTIST PROFILE

June 7th, 2011 by Owen Craven | No Comments | Filed in news


On a recent visit to Australia, thanks to the United States Studies Centre and the Power Institute at the University of Sydney, Gregory Crewdson sat down with ARTIST PROFILE’s Editor, Owen Craven, to discuss his photographic practice; what and who are his greatest inspirations, where he sees his work in the ‘contemporary art canon’, and what lies ahead for his art making.

The Making of Issue 15

May 23rd, 2011 by Owen Craven | No Comments | Filed in news


Here’s a behind the scenes video of the photo shoot in Del Kathryn Barton’s studio for our Issue 15 cover by the wonderful Wallaby Way!

Photography by Daniel Shipp. Art Direction by Vincent Rommelaere.

Issue 15 :: OUT NOW!

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Not the Way Home

May 10th, 2011 by Owen Craven | No Comments | Filed in news
The group of artists departing Sydney for Fowlers Gap.

The group of artists departing Sydney for Fowlers Gap.

Not the Way Home, ARTIST PROFILE’s latest artist expedition project, is currently underway. We’re based out at the UNSW’s Arid Zone Research Station, Fowlers Gap, with 13 prominent Australian artists. We’ve asked each of them to explore the the landscape and respond in their own, unique way.

For some, comfortable in their urban surrounds, being in the outback is exposing them to new sights, light and texture; others are basking in a well known space. Whatever the case, the project is seeing each of them work within a community of like-minded people.

ABC Open, a new initiative, is joining artist profile and aiding the artists document their experience. Stay tuned through the project’s blog.

Artists include – Idris Murphy, Alan Jones, Peter Sharp, Steve Lopes, Amanda Penrose-Hart, Jennifier Keeler-Milne, Ross Laurie, Joe Frost, Margaret Ackland, Euan Macleod, Merran Esson, Guy Warren, and Elisabeth Cummings.

Proudly sponsored by Winsor & Newton, Not the Way Home will culminate in an exhibition opening at Sydney’s SH Ervin Gallery in May, 2012 and will feature in future issues of ARTIST PROFILE.

www.notthewayhome.tumblr.com

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Bernard Ollis @ NG Art :: final days

March 30th, 2011 by Owen Craven | 1 Comment | Filed in exhibition
The Seine at Dusk oil pastel on paper, 2011, oil and pastel on canvas, 58 x 76cm

The Seine at Dusk oil pastel on paper, 2011, oil and pastel on canvas, 58 x 76cm

Don’t miss the latest body of work by artist Bernard Ollis at NG Art.
Bernard Ollis is a great inventor in his paintings where he deftly melds oil pastels with nuance, daily observations of the extraordinary, suppressed gravity and disjointed perspective.
His recent work is set in Paris, where the artist has spent many a day working.
Bernard recounts a Parisian man he saw wearing a beret and pushing a bicycle, talking about soccer on his way into a Picasso retrospective. ‘It just feels so civilised, like the best of all places but without the crass bits… when you watch a French quiz show you realise they put the same emphasis on questions about art and writing as they do sport and politics.’
Bernard lucidly describes Paris as his spiritual home and creative comfort. While still a student of the Royal College of Art in London, his first artist residency was to Paris in 1974.
It was here that he began using the oil pastels he now wields so expertly. ‘It was the first period in my life where I was actually making art because that’s what I wanted to do. I was living the life of an artist and I found that’s what I liked doing.’ Certainly he still does live the life of an artist. He inhabits, a mega-studio of rare proportions in Sydney’s St Peters which he and partner Wendy Sharpe purchased with great speed and foresight before the ‘For Sale’ sign was even hammered into the ground. Much like his personality, Bernard’s paintings are direct, frank and vibrant. There is no hesitation when it comes to buying property or composing an artwork.
When asked when he began painting he states ‘I never stopped!’ Instinctively compelled to create, Bernard’s paintings are full of his unabating enthusiasm and intent. He uses the shadow as a visual device to take the eye for a walk, to indicate a human presence, voyeuristic or otherwise. He’ll bend a bridge, change entire sky lines and lean lamp posts together like lovers embracing – aware he’s creating a stage for the viewer to inhabit. From creating theatre sets in London he has learnt to paint with a sense of what is beyond the edges, about to enter or exit the constructs of his paintings.
Fascinated with the psychology of what might happen, like a choose your own adventure novel, the outcome of his storytelling is informed by the viewers own imagination and experiences. They see themselves in his invented characters and become his protagonists. His paintings are like sentences half spoken, requiring the viewer to finish them.
Ultimately magician Ollis invites you into fantastical Parisian street scenes and idyllic apartments using every trick in the book.

Until 9 April

3 Little Queen Street, Chippendale