In Issue 44, Sydney artist Jack Dunbar spoke about his diverse ‘day-to-day’ inside and outside the studio.
Caroline Zilinsky’s new series visualises the real-life stories of local and political identities tinged with absurdity.
No nation on earth can match Australia’s enduring love of art prizes. It reflects our obsession with sport, allied with the perennial Cultural Cringe.
The paintings, sculptures and films by British artist Toby Ziegler excavate the various fissures that exist between formal and conceptual thresholds.
Elisabeth Cummings is not a painter with a single signature. Her work is delicately wrought, possessing a palette that sways from pale to bloodied.
In Issue 42, 2018, Canberra-based artist Hannah Quinlivan spoke about her complex methods of making in the expanded field of drawing.
Soda_Jerk's film TERROR NULLIUS looks for the unspoken assumptions about Australian culture embedded in the annals of popular entertainment.
Science combines with Romantic ideas in the work of Emily Parsons-Lord to create explosions, experiments and ephemeral installations that examine Nature under all its guises.
Bridget Macleod speaks to Adam Pyett about the personal importance of producing a 'rewarding painting'.
