Elisabeth Cummings is not a painter with a single signature. Her work is delicately wrought, possessing a palette that sways from pale to bloodied.
The work of Ken Unsworth is often labelled as conceptual. His first public solo exhibit saw him pale, bare and pinioned to the wall in a...
John R Walker's new series 'Fireground' presents a cycle of paintings pivoted on the age-old theme of destruction and rebirth.
Michael Young looks at the shortcomings of the Sydney Biennale's digital offering during COVID-19.
It may be difficult to name an Australian painter who creates work with as much intellectual rigour as Tom Polo.
As an Asian in Australia I have always been aware of the fissures and cracks in the colonial project of White Australia.
‘View from a Bridge’ at Roslyn Oxley9 Gallery is Callum Morton's first show in Sydney in eight years.
Sam Field’s paintings humbly tackle the complex puzzle of Australian cultural identity, traversing history, landscapes, folklore, popular culture and politics.
In Tonee Messiah's new work, familiar movements and spatial relationships have been reanalysed by the unexpected confines of her home during the COVID-19 lockdown.
In Issue 46, Artist Profile travelled to Bruce James' home and studio in Ayr, North Queensland, as the artist prepared for his first solo exhibition.
Spirals of smoke eddy voluptuously through the dense black fields of Paul Uhlmann's recent canvases.
An exhibition spotlighting the ongoing hardships experienced by many South Coast artists following the recent bushfires.
Joseph Beuys Cafe is a small Melbourne gallery established by collector Ian George, showcasing his extensive collection of works by Joseph Beuys.
In Issue 45, Kevin Wilson visited Colin Pennock in his Noosa Hinterland studio to chat about the artist's incredible journey thus far.
Lisa Reihana draws from her own Maori culture to bring Maori histories to life, extending breath into contemporary and recent narratives.
David Noonan’s exhibition ‘Stagecraft’ at Art Gallery of Ballarat is evocative of personal and collective memories.
Dale Frank’s work from the early 1970s to now appears to be without a beginning or an end, constantly evolving from one work to the...
Dean Cross uses his background in dance to explore temporal reactions to everyday life.
In the midst of COVID-19, many galleries have closed their doors to the general public. However, there is still art to be found.
Who do you dress up for? Men or women? You might have been asked this question in the 1980s, when querying gender identity and sexual...
In her inaugural solo exhibition, emerging Tasmanian artist Zoe Grey traces her intimate connection to the remote coastal town of Marrawah.