The National Art School’s (NAS) end of year graduate exhibitions are testament to why Australia's oldest art school still stands at the forefront of art...
Leading contemporary Australian artist Brenda L. Croft employs a considered approach to the exploration of her Gurindji/Malngin/Mudburra and Irish/German/Chinese/ Australian heritage.
The textiles, installations, moving images and zines created by Raquel Ormella work on us in complex and contemplative ways
Murray Frederick's photographs flicker between representation and formalist abstraction to evoke a euphoria of space.
A sculptor of light and space, Meagan Streader illuminates the utilitarian in her latest solo exhibition.
Dan Kyle's paintings are translations of what he sees – the beauty, the unique forms, the colours – articulating the bush in his own light....
Carolyn V Watson creates elliptical works that elude recognition. Our eyes search for form in fragments, familiarity in the foreign.
In his Australian debut, Spanish artist Keke Vilabelda presents an immersive show exploring the connection between Valencia and Melbourne.
Working at the intersection of art and technology, Dutch artist Daan Roosegaarde is a pioneer for clean energy art projects.
‘Primavera: Young Australian Artists’ at the MCA showcases Australia’s next generation of up-and-coming artists aged thirty-five and younger.
In her first Australian solo exhibition in five years, Leila Jeffreys explores new territory.
The rustic characteristics of Merran Esson's ceramics reference the impermanence of the objects that served as vital tools for farm survival.
Susan Baird’s paintings drift weightlessly between different realities
Chinese-Australian artist Guan Wei stood deferentially in front of his self-portrait ‘Plastic Surgery’ (2015)...
‘Under Twenty-Seven’ by Australian artist Dr Ella Dreyfus is a powerful series of monochrome portraits capturing the spectacle of young boys becoming men.
Queensland-born, Canberra-based artist Riley Beaumont revels in cage-rattling, prick-kicking and material dissent.
Elena Papanikolakis weaves together the cultural histories of her Greek heritage with formative moments from her childhood in Australia.
In Issue 44, Sydney artist Jack Dunbar spoke about his diverse ‘day-to-day’ inside and outside the studio.
In his second solo exhibition, Brisbane-based artist David Hayes focuses his paintbrush on the human experience in our rapidly shrinking global village.
There is something both humorous and unnerving in Graeme Drendel’s work, a tension between the familiar and the absurd.
Shaun Hayes investigates the relationship between throwaway objects and their ability to invoke memories.
Aida Tomescu’s practice, honed over forty years, is compelled by the artist's devotion to teasing out an idea over time.
Lottie Consalvo’s practice traverses painting, sculpture, performance, video and photography.
Sonia Payes' 'Woman in Bronze' explores creation, destruction, and transformation through a contemporary lens of growing environmental angst.
Annandale Galleries Director Bill Gregory met Goldblatt in 1995 in Johanesburg, where the artist took him out for a day out on ‘the reef’ –...