Adelaide artist Andrew Clarke chats to Artist Profile about his colour-focused new series of paintings, 'Mephistopheles' Yellow Vacuum Cleaner'.
Dale Frank’s work from the early 1970s to now appears to be without a beginning or an end, constantly evolving from one work to the...
Melbourne artist Kristian Laemmle-Ruff focuses his lens on the Woomera Prohibited Area (WPA), drawing attention to violent imperialist activities that scar the beautiful Country of...
Australian Galleries and Annette Larkin present a solo exhibition of works by the late Fred Cress, marking what would have been the artist’s 80th birthday.
Steve Lopes constructs a world of transitory figures, travellers and storytellers searching for the unknown.
Paul Selwood is one of Australia’s foremost sculptors, creating fluid, complex works, often from a single sheet of steel.
In Issue 39, Idris Murphy enlightened us on the art of the heliograph – a lesser-known part of his practice and complimentary process to his...
Michael Lindeman’s latest series, ‘An Awkward Dance’, invites the viewer to poke and prod institutional authority.
Michael Young discusses the complex, politically-fuelled practice of Khadim Ali in Issue 40.
James Newitt’s exhibition ‘Delay’ examines the politico-personal valency of escape and withdrawal.
Artist Profile chats to Indigenous artists Zane Saunders and Arone Meeks about their concurrent exhibitions at KickArts Contemporary Arts.
Honor Freeman’s porcelain-cast interpretations of well-worn domestic objects narrate the rhythm of daily life’s minutiae.
‘Barka: The Forgotten River’ is a collaboration between Barkandji elder Badger Bates, Justine Muller and the Wilcannia community to save the Darling River.
Campbelltown Arts Centre presents three decades of paintings from the colourful oeuvre of Australian artist David Hawkes.
An exhibition presenting contemporary Australian artists’ reactions to the lush rainforest escarpment at Jamberoo.
In his solo exhibition ‘Spill’, Andrew Browne examines the suggestive ambiguities of water and the metamorphic effects of light.
With a career spanning over seven decades, Helen Maudsley knows a thing or two about painting.
Camilla Wagstaff explores the masterful work of Indigenous painter George Tjungurrayi in Issue 42.
In Issue 40, Lucy Stranger chatted to Jelle van den Berg about his colourful, collaborative practice.
Janet Clayton Gallery’s two final exhibitions feature the work of Heather Ellyard and Hanna Kay.
ARTIST PROFILE celebrates the masterful Australian abstractionist painter, Michael Johnson in this exclusive essay by writer and daughter Anna Johnson.
The extraordinary oeuvre of the late Sally Gabori (c.1924–2015) is a rare portal into Australia’s pre-colonial history.
In Issue 42, Bridget Macleod spoke to Franck Gohier as he prepared for his exhibition at the Museum and Art Gallery of the Northern Territory....
Lara Merrett chats to Artist Profile about expanding paining beyond the confines of the canvas for the 2018 Bella Room Commission
In Issue 42, Ted Snell reviews the 2018 Adelaide Biennial of Australian Art, exploring the prismatic approach of Curator Erica Green
