Leach-Jones's vibrant, inquisitive painting practice is celebrated in an exhibition remembering the great artist, teacher, and friend.
Yhonnie Scarce is a Kokatha and Nukunu artist who employs the medium of glass to dazzling effect
For over three decades Janet Laurence has been engaging with humanity’s experiential and cultural relationship with the natural world.
Kaylene Whiskey is an artist who is fast turning into a household name.
Issue 44's 'Discovery' artist Jackson Farley writes about his multidisciplinary practice, which spans printmaking, textiles, video and sculpture
Bridgette McNab’s tightly choreographed paintings unpack the enduring dialogue between painting and cinema that resounds with the language of illusion.
Artist Profile chats to Nicole Welch about the dualities that interlace her media-based practice.
LA-based Australian artist George Byrne chats to AP about his photographic abstractions of urban geometry.
Salvatore Zofrea’s monumental ‘Day Cycle’ is a 122-metre long series depicting the energy of the day in four parts.
Artist Profile caught up with Australian artist Dan Miller in Kim’s Corner Food in Chicago, a convenience store that also contains an art gallery.
In Issue 43, Peter Hudson wrote about his artistic journey from childhood to the present.
The work of Caroline Garcia explores the shifting territory between intersectional feminism, diasporic politics and pop culture through a cinematic lens.
Reclusive New Zealand artist Martin Thompson proved to be a hard person to track down.
In Issue 44, Richard Bell takes us into his studio and talks about his provocative 2019 Venice Biennale proposal
Artist Profile chats to Sydney artist Matthew Bromhead about his various methods of making.
The paintings, sculptures and films by British artist Toby Ziegler excavate the various fissures that exist between formal and conceptual thresholds.
Science combines with Romantic ideas in the work of Emily Parsons-Lord to create explosions, experiments and ephemeral installations that examine Nature under all its guises.
Bridget Macleod speaks to Adam Pyett about the personal importance of producing a 'rewarding painting'.
Striking concentric circles and rarrk cross-hatched designs hypnotise and enthral within John Mawurndjul’s bark surfaces.
Kristin Headlam’s series of 64 etchings, 'The universe looks down', responds to Chris Wallace-Crabbe’s eponymous epic poem.
Juz Kitson is an Australian artist working out of the historic town Jingdezhen, the ‘porcelain capital’ of China.
Dagmar Cyrulla's contemporary muses raise ontological questions about what it is to be human in a virtual world.
Emerging Hobart artist Alana Collins speaks about the inspirations and processes driving her drawing practice.