Justine Varga’s rigorous and ruminative photographic practice transgresses conventional notions of photography.
Ann Thomson has been an important force in Australian art since she graduated from The National Art School over five decades ago.
In Issue 50, Laurie Nilsen told Michael Aird about his life and career – shortly before the much-loved artist passed away.
Known for her multi-media installations featuring a variety of hand-honed materials, Fiona Hall is focusing her energies on the fraught subject of war.
One gets the sense that if you peeled back the painted skin, layer by layer, you could come to understand the intricacies of Gemma Smith's...
Jacqui Stockdale works across photography, drawing, painting, collage and performance to explore the disparate and overlooked histories of Australia.
George Gittoes has been travelling the world for over forty years, visiting those regions that appear in brief, blood-spattered segments on the nightly news.
In Issue 39, John von Sturmer discusses how Pedro Wonaeamirri engages with ancient Tiwi teachings.
Josh Foley’s visceral paintings create visually complex worlds that question the materiality behind the painted image.
Debra Dawes’ paintings have a visceral effect on the viewer. Her work appears cerebral but derives from experience and emotion.
Australian artist Kelsey Ashe’s new film work stirs up hidden histories of post-colonial trauma endured by female indigenous pearl divers.
A Wiradjuri woman living in regional New South Wales, Karla Dickens is known for her often provocative reflections on Australian culture, past and present.
Underwater ruins and antiquated atlases form sites of inspiration for Polish-born Australian artist Izabela Pluta.
The textiles, installations, moving images and zines created by Raquel Ormella work on us in complex and contemplative ways
Murray Frederick's photographs flicker between representation and formalist abstraction to evoke a euphoria of space.
Dan Kyle's paintings are translations of what he sees – the beauty, the unique forms, the colours – articulating the bush in his own light....
Carolyn V Watson creates elliptical works that elude recognition. Our eyes search for form in fragments, familiarity in the foreign.
Sometimes I get asked how I make my work. I’m not so sure, but I think the past is somehow important. Not only how you...
The rustic characteristics of Merran Esson's ceramics reference the impermanence of the objects that served as vital tools for farm survival.
Chinese-Australian artist Guan Wei stood deferentially in front of his self-portrait ‘Plastic Surgery’ (2015)...
Katherine Hattam’s Melbourne house and studio sing with her paintings, in clear, bright sharply defined colours.
