Issue 3
News
Brief
Interview: Peter Garrett
Deadlines
Profiles
Jess MacNeil
Rohan Wealleans
Louise Hearman
Maria Fernanda Cardoso
Idris Murphy
Features
New Delhi: Thukral & Tagra
Beijing: Ai Weiwei
Opinion: Sebastian Smee
Opinion: Glenn Barkley
London: Banksy
Interpret: Sam Leach on Chris Bond
Process
Masterclass: Tony Tuckson
Chuck Close
Exhibition: Turner To Monet National Gallery of Australia
Garth Lena
Exhibition: Bill Viola Kaldor Art Projects & AGNSW
Institution: KickArts Cairns
Shonah Trescott
Perspective: Search and Destroy
Technical: Acrylics
Process: Benja Harney
Multiples
Books
Project: Reg Mombassa
Subscriptions
Must See: Exhibition Picks
Project: Trevor Weekes
Cover Louise Hearman in her studio. Photography Peter Panopoulos
“Hong Kong is back!” exclaimed collector and philanthropist Vivienne Sharpe at Art Basel Hong Kong’s (ABHK) First Choice VIP Preview. As a seasoned international art...
Jordan Wolfson first came to the attention of the hermetically sealed New York art world with his work Real Violence, which was shown as part...
Mysteries come in many forms and don’t always issue from the darkness. The light-filled pictorial universe that Cypriot-born, London-educated Andrew Christofides has prospected since the...
When I first saw Janaki Peart’s paintings, I felt a rare excitement. I couldn’t recall seeing work by a young painter that felt so certain...
Fairy Tales, curated by Amanda Slack-Smith at the Gallery of Modern Art (GOMA), is a remarkable exhibition, featuring over a hundred works assembled from genres...
Hovering, nine metres above me on wiry legs of steely elegance Maman, 1999, Louise Bourgeois’ celebrated spider sculpture, a metaphor for her mother, greets me...
Accompanied by artist and Orange’s director Brad Hammond, and photographer Craig Potton, he helicoptered onto the mountain ranges. It was his second trip with Potton...
Over coffee and lamingtons (everyday suburban fare appropriate to the source material of much of her work) we discuss, in no particular order, flies, trompe...
Looking back over my artistic practice, I can clearly see the signposts leading to what I’m making in the studio today. In recent years, I...
