Laura Jones | Discovery | Issue 19

Michael Zavros is well-known for his supreme fluency with paint, yet his printmaking practice lingers in the shadows.

There is something both humorous and unnerving in Graeme Drendel’s work, a tension between the familiar and the absurd.

Sydney artist Kai Wasikowski chats about the raft of ideas, inspirations and processes driving his photographic practice.

‘HERE&NOW 18' presents newly created works that respond to the challenge of contemporary art set by Marcel Duchamp 100 years ago.

Marisa Purcell’s new series of linen canvases hang like curtains, representing the way the brain erects definitive boundaries to construct reality.

‘Baldessin/Whiteley: Parallel Visions’ brings together the work of two major figures of 20th-century Australian art, for the first time.

While Rick Amor is best known for his evocative paintings, printmaking is a vital part of his practice.

In Issue 43, Melbourne artist Ali McCann speaks about the unique processes behind her carefully constructed photographs, videos and sculptural works.

Returning home to Brisbane for the first time in thirteen years, Amanda Penrose Hart presents a new series of landscape paintings for her inaugural exhibition...