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Posts Tagged ‘exhibition’

Firstdraft Gallery

September 20th, 2010 by Owen Craven | 1 Comment | Filed in exhibition
Jai McKenzie, Superstructure, 2010 (detail)

Jai McKenzie, Superstructure, 2010 (detail)

Firstdraft – one of Sydney’s many successful artist-run, not for profit, gallery spaces – is currently divided into four gallery spaces. On exhibition are Barbara Knezevic, Kirra Jamison, Giselle Stanborough and Jai McKenzie.

Each artist is using their space independently of one another and the result is four wonderful exhibitions of varying mediums.

In gallery four is Jai McKenize, an artist whose practice engages with light, space and time. Interested in contemporary experiences of technology, her work explores this experiential theme in a variety of media – from installations and sculptures, to film and photographs. The work in this exhibition, Superstructure, further explores these notions by looking at specific mid-twentieth century architectural concepts.

As McKenzie explains in her artist statement, “Buckminster Fuller and Superstudio proposed the unrealized construction of large circumscribing forms intended to encase or disrupt urban spaces to enable holistic systems for living, connection, and growth”. Superstructure is a site specific installation which borrows from and refers to this notion through its form, while at the same time, conceptually, it asks the viewers to consider the role of space, time and technologies in our contemporary social organisation.

Super structure is on exhibition alongside In pursuit of a state of uncertainty (Knezevic), Surrender Star (Jamison), and Space Exploration (Stanborough).

Until Sunday 26 September 2010. 116-118 Chalmers Street, Surry Hills, NSW.

Artist talks will take place on Sunday 26 September from 4pm.

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Jane Gillings @ NG Art, Gallery

August 30th, 2010 by Owen Craven | No Comments | Filed in exhibition

Youthful Experience (detail), 2010, mixed media, dimensions variable

Youthful Experience (detail), 2010, mixed media, dimensions variable

Come Closer (Now Go Away) is the latest solo exhibition by Jane Gillings at NG Art Gallery, Sydney. The work that forms this exhibition is the recycling of and engaging with – what some would call – hoarded waste. Gillings compulsively collects and, by her own admission, hoards before she reassembles by way of embracing and engaging with her creative impulses.

Gillings hates waste and disorder. Her studio is a refuge for perceived waste. Organised by size, colour and object, Gillings compiles objects from knitting needles, discarded board game pieces and small toys to indiscriminate incidentals from around the kitchen and second hand shops. It is at this point her art making practice launches.

Just like an abstract painter, Gillings’ sculptures are constructed, for the most part, through her response to the materials. In her own words, Gillings has “little influence on what it [the sculpture] will become until [she] start[s] to study its possibilities and limitations”.

The works in Come Closer (Now Go Away) expose the viewer to waste – is it their own? How do they conserve? What do they discard? It is the open ended questions that lure you in (‘Come closer’ and observe); But the abstract form that belies the work leaves open their interpretation – are they about the environment? Are they simply an indulgent, personal journey for Gilling to which we as viewers are privileged to view? (‘Now Go Away’ and contemplate).

The exhibition runs until 11 September at NG Art Gallery, Sydney

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JON CATTAPAN @ SUTTON GALLERY

June 19th, 2010 by Paul | No Comments | Filed in exhibition

Jon Cattapan

Jon Cattapan, Viridian Eye

OVER THE LAST thirty years, Jon Cattapan has established a reputation as one of Australia’s most significant and prolific painters. In this new body of works at Sutton Gallery, Melbourne, Viridian Eye, the artist extends his exploration of ‘Night Visions’ drawn from his experiences as a commissioned artist for the Australian War Memorial in Timor Leste during 2008.
Whilst in Timor Leste, Cattapan visited a number of temporary bases at Gleno, Bacau, Maliana and Vekeki. Following Australian peace keeping forces on their night patrols, the artist was able to digitally record images of expeditions using night vision and infrared technology. Here, Cattapan captured the sporadic fluctuations of night vision data as it intersected with the physical landscape, to reveal pockets of human activity and interaction. In this way, the experience can be understood to have resonated strongly with Cattapan’s previous and iconic explorations of cityscapes that have often depicted the interrelationship of human activity and networks of digital exchange.

Exhibition: 24 June – 24 July, 2010
Opening: Saturday 26th June, 3-6pm
Sutton Gallery, 254 Brunswick Street, Fitzroy

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JULIAN HOOPER @ GALLERY 9

June 19th, 2010 by Paul | No Comments | Filed in exhibition

Julian Hooper

Left: Mother and Daughter 2010 acrylic on paper 76 x 56cm; Right: First Date 2010 acrylic on paper 76 x 56cm

THIS EXHIBITION of paintings and works on paper by acclaimed New Zealand artist Julian Hooper, presents figures made up of incongruous elements like fish tails and fruit, reminiscent of Arcimboldo. Titled Golden Solvent, this is Julian Hooper’s second solo show at Gallery 9.
Curator Victoria Lynn writes: “Hooper has compared them with figures from fashion magazines, but the absurdity of their attire transforms them from an everyday location or identity into their own universe. These unexpected combinations recall the discordant practices of surrealism and dadaism, but Hooper’s work is not so absurdist. The artist’s oeuvre has been characterised by this process of finding links between seemingly unfamiliar territories.”

Exhibition: 23 June – 17 July
Opening: Wednesday 23 June 6 – 8 pm
Gallery 9, 9 Darley Street, Darlinghurst

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WHAT @ GALLERY 9, SYDNEY

April 5th, 2010 by Paul | No Comments | Filed in exhibition

what

The artist known as what

THE ARTIST known as what is one of the most enigmatic art identities in Sydney. MCA curator Glenn Barkley profiled what for us in 2008 and since then what’s work has been acquired by several major collections, including the National Gallery of Australia, Canberra. For this latest exhibition at Gallery 9, provocatively entitled Satanism, the artist is “messing with notions of good and evil via Bach; a video performance of his Chaconne in D minor, works on paper and the dark art of painting.”

Until April 17th
WHAT
GALLERY 9, SYDNEY


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