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Posts Tagged ‘painting’

Peter Sharp @ Liverpool Street Gallery, Sydney

December 7th, 2011 by Owen Craven | No Comments | Filed in exhibition, news
Peter Sharp, Moonrise, 2011, oil and acrylic on linen, 150 x 132cm

Peter Sharp, Moonrise, 2011, oil and acrylic on linen, 150 x 132cm

Peter Sharp travelled to Fowlers Gap, far west New South Wales, as one of the participating artists on our Not the Way Home expedition, which is being documented as a major feature in our next issue. The work produced by each artist will culminate in a major touring exhibition, which launches in May 2012 at Sydney’s S.H. Ervin Gallery and will travel the nation for two years.

In returning to their studios, the artists have been left to their devices to produce a body of work that responds to their personal experience of the landscape, its history and its impressions. In addition to producing the work for the touring show, some artists’ responses to the arid landscape have opened a floodgate of creative output.

Peter Sharp’s newest body of work, on exhibition at Liverpool Street Gallery (Sydney), is the product of 20+ years experience travelling to the outback. A lecturer at Sydney’s College of Fine Arts, Sharp has led numerous student fieldtrips to Fowlers Gap. Not the Way Home presented Sharp the opportunity to participate, rather than lead and instruct, for the first time in his illustrious career, and produce a body of work as he discusses in his artist statement:

“This new body of work is about the relationship I have with the landscape of far western New South Wales near Broken Hill. I have been travelling out there for over 20 Years and these paintings, drawings, sculptures and prints are the first mature works I have made about the arid landscape.

They are not a direct rendering of the place but a reaction and evocation of how I feel and relate to the area. Rather than paint the view I made little sculptures of sampled bits of the landscape, then drew and painted from these constructions.

The pictures may appear abstract but all of them come from drawings made on site and then filtered through various media to explain or question how we see the landscape.”

Peter Sharp, studio, 2011

Peter Sharp, studio, 2011

EXHIBTION

Peter Sharp :: Shadowbox

08 Dec to 23 Dec 2011
Liverpool Street Gallery
243a Liverpool Street, East Sydney

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BRENT HARRIS @ TOLARNO GALLERIES

October 2nd, 2010 by Owen Craven | 1 Comment | Filed in exhibition
Brent Harris, Rome No. 5 (Moses), 2009, charcoal and gouache on panel, 42 x 28cm

Brent Harris, Rome No. 5 (Moses), 2009, charcoal and gouache on panel, 42 x 28cm. Courtesy the artist and Tolarno Galleries, Melbourne

Harris is a painter who engages with a multitude of genres. His paintings use a cartoon-like aesthetic, often abstracted by cropping and magnifying. The paintings are at once humorous and confronting often displaying an overt sexuality over the canvas. His depth of art history knowledge sees his work reference surrealism and modernism. Overall, though, Harris’ exquisite skill as a colourist sees these varying forms bind together as a truly unique and ever evolving style and manner.

His latest body of work at Tolarno Galleries, Melbourne, continues this exploration of form and texture. A large suite of work makes up this stella exhibition. Justin Clemens says of the exhibition, in his catalogue essay, “a set of intuitive gestures in colour demands to be modelled; the modelling becomes an injunction to line; the lines transmogrify to a composition; the composition in turn becomes a new experiment with colours from which forms emerge as line is submerged; the forms suggest characters, scenes, narratives which never quite, to quote Paul Valéry, ‘vanish into meaning’; the scenes shift before they settle. For something to come, something has to go; something has to be surrendered in order for something to be embraced.”

These observations cement the reputation Harris has developed for himself as one of Australia’s foremost contemporary, abstract and colourist painters of unique and commanding talent. This is an exhibition not to be missed.

Installation shot, Tolarno Galleries

Installation view, Tolarno Galleries

The exhibition, at Tolarno Galleries, runs until 18 October – Level 4, 104 Exhibition Street, Melbourne, VIC

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JON CATTAPAN @ SUTTON GALLERY

June 19th, 2010 by Paul | No Comments | Filed in exhibition

Jon Cattapan

Jon Cattapan, Viridian Eye

OVER THE LAST thirty years, Jon Cattapan has established a reputation as one of Australia’s most significant and prolific painters. In this new body of works at Sutton Gallery, Melbourne, Viridian Eye, the artist extends his exploration of ‘Night Visions’ drawn from his experiences as a commissioned artist for the Australian War Memorial in Timor Leste during 2008.
Whilst in Timor Leste, Cattapan visited a number of temporary bases at Gleno, Bacau, Maliana and Vekeki. Following Australian peace keeping forces on their night patrols, the artist was able to digitally record images of expeditions using night vision and infrared technology. Here, Cattapan captured the sporadic fluctuations of night vision data as it intersected with the physical landscape, to reveal pockets of human activity and interaction. In this way, the experience can be understood to have resonated strongly with Cattapan’s previous and iconic explorations of cityscapes that have often depicted the interrelationship of human activity and networks of digital exchange.

Exhibition: 24 June – 24 July, 2010
Opening: Saturday 26th June, 3-6pm
Sutton Gallery, 254 Brunswick Street, Fitzroy

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DAVID SERISIER @ LIVERPOOL STREET GALLERY, SYDNEY

May 7th, 2010 by Owen Craven | 1 Comment | Filed in exhibition
From top left to bottom right: David Serisier, untitled yellow square painting, untitled grey painting, untitled red square painting, untitled blue painting, 2010, all oil on linen, 45.7 cm  x 45.7 cm each

From top left to bottom right: David Serisier, untitled yellow square painting, untitled grey painting, untitled red square painting, untitled blue painting, 2010, all oil on linen, 45.7 x 45.7 cm each

David Serisier’s latest body of abstract paintings further explores his interest into the perception of colour and light; issues of materiality and immateriality; and his passion for the geometry of the square. The exhibition is made up of five large paintings of varying monochromatic colours, four smaller monochromatic paints, and a series of prints made through a collaboration with Diana Davidson.

David has recently travelled to Japan and the USA, where he encountered different light and space. Attempts to describe the experience of Serisier’s paintings have drawn analogies with the natural world around him. These experiences of new spaces, new lights, and new natural worlds heightened his senses and curiosity to explore the project that is his current exhibition.

Born in Australia in 1958, David Serisier has been committed to an abstract aesthetic for over twenty years. He has received numerous awards and scholarships, including the Australia Council Greene Street residency in New York. His work is represented in many significant public, corporate and private collections, including the National Gallery of Australia, New England Regional Art Museum, Charles Sturt University, Artbank and JP Morgan Chase Bank.

Until 3 June
DAVID SERISIER
TOWARDS THE WHITE BUFFALO

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ROBERT ROONEY @ TOLARNO GALLERIES, MELBOURNE

April 16th, 2010 by Owen Craven | 2 Comments | Filed in exhibition

Robert Rooney, Le Rire: Signes d’Intelligence (GOD), 2010, acrylic on canvas, 86 x 141.5cm. Courtesy the artists and Tolarno Galleries, Melbourne

THE FIVE PAINTINGS in Robert Rooney’s latest exhibition are based on images by cartoonists who signed themselves Picq, Vire and GOD. These cartoons were sourced from copies of Le Rire, a French satirical magazine that Robert Rooney found in a second-hand bookshop in 1999.

Le Rire (Laughter) was founded by Felix Juven in October 1894, in a climate of anti-government feeling fuelled by the Drefus Affair.  As a product of the Belle époque, it counted among its contributors, artist and illustrators such as Toulouse-Lautrec, Jean-Louis Forain and Théophile Steinlen. The journal ceased publication in the 1950s, only to be revived for a short time in the 1970s.

Since the early 1990s, when Rooney began using illustrations in obscure childrens’ books as the basis for paintings, he has avoided images that can be pinned down to a particular period.  He says he ‘would never use Manga or Boys Own Annual style illustrations because their origins would be instantly recognizable.’

Though the French Laughter images could be mistaken for an example of 1950s ‘cartoon modern’, the 1937 cartoons have the timeless quality he prefers.  The French Laughter paintings are titled after the captions for the cartoons.

Until May 8 2010
ROBERT ROONEY
FRENCH LAUGHTER_LE RIRE: HOMMAGE TO PIQU, VIVE AND GOD
TOLARNO GALLERIES, MELBOURNE

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WHAT @ GALLERY 9, SYDNEY

April 5th, 2010 by Paul | No Comments | Filed in exhibition

what

The artist known as what

THE ARTIST known as what is one of the most enigmatic art identities in Sydney. MCA curator Glenn Barkley profiled what for us in 2008 and since then what’s work has been acquired by several major collections, including the National Gallery of Australia, Canberra. For this latest exhibition at Gallery 9, provocatively entitled Satanism, the artist is “messing with notions of good and evil via Bach; a video performance of his Chaconne in D minor, works on paper and the dark art of painting.”

Until April 17th
WHAT
GALLERY 9, SYDNEY


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KILL PIXIE @ EDWINA CORLETTE, BRISBANE

April 5th, 2010 by Paul | No Comments | Filed in exhibition

ONE OF OUR favourite young artists – LA-based Australian, Kill Pixie (aka Mark Whalen) – is having an exhibition of new works at Edwina Corlette Gallery in Brisbane—and you only have one more week to see it.

We profiled Kill Pixie in Issue 7. Not only were we really taken by his work, which betrays his very cool roots in street art, but so were many of our readers. If you are in Brisbane, head to Edwina Corlette Gallery before April 10. If you can’t make it, you can always have a look at his website: www.killpixie.net

Until 10 April 2010
KILL PIXIE
EDWINA CORLETTE GALLERY, BRISBANE, AUSTRALIA

Kill Pixie

Cubicles, 2010, acrylic, ink and gouache on paper on wood, resin coated, 45 x 60cm

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KATE SHAW @ RYAN RENSHAW, BRISBANE

February 19th, 2010 by Paul | No Comments | Filed in exhibition

KateShaw-775029AT FIRST glance, artist Kate Shaw (FEAT. AP ISSUE 6) is dabbling with a subject painted by artists throughout art history. But Shaw’s landscapes, although recognizable as such, are not mere pictorial representations of polar ice caps and interior Australia. Her spectacularly hallucinogenic paintings remind us of the threat of global warming and environmental degradation …”

28 FEB – 13 MAR 2010
KATE SHAW — SPILLING TWILIGHT
RYAN RENSHAW GALLERY, BRISBANE

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