Ann Thomson has been an important force in Australian art since she graduated from The National Art School over five decades ago.
There is a lot to find interesting about Shirin Neshat’s ‘Dreamers’ video installation at the NGV, and yet there is much to be disappointed by.
In Issue 50, Laurie Nilsen told Michael Aird about his life and career – shortly before the much-loved artist passed away.
The 2020 Adelaide Biennial of Australian Art celebrates a thirty-year milestone with ‘Monster Theatres’
Known for her multi-media installations featuring a variety of hand-honed materials, Fiona Hall is focusing her energies on the fraught subject of war.
One gets the sense that if you peeled back the painted skin, layer by layer, you could come to understand the intricacies of Gemma Smith's...
With an emphasis on Indigeneity and First Nations people, BoS brings together 98 artists from 47 countries, with the majority being coloured, Indigenous, gay or...
Everyday dangers are larger-than-life in Anna Louise Richardson’s new exhibition at Galerie pompom.
Adelaide-based artists Angela and Hossein Valamanesh have mastered the art of collaboration for decades.
'Japan Supernatural' showcases more than 180 works from over three centuries of Japanese art. Yet it's reliance on superstar names like Takashi Murakami to pull...
If you have ever met or talked to George Raftopoulos, you will know he has been fighting notions of conformity his entire life.
Jacqui Stockdale works across photography, drawing, painting, collage and performance to explore the disparate and overlooked histories of Australia.
George Gittoes has been travelling the world for over forty years, visiting those regions that appear in brief, blood-spattered segments on the nightly news.
Among the many communities who are rallying together to support the victims of this season’s unprecedented bushfires, the artworld is playing its part.
‘Keith Haring | Jean-Michel Basquiat: Crossing Lines’ explores the intersecting lives of two of the most influential artists of the twentieth century.
In Issue 39, John von Sturmer discusses how Pedro Wonaeamirri engages with ancient Tiwi teachings.
Lismore-based Wiradjuri artist Karla Dickens has long been involved in green politics. For Dickens it has all been said and no-one is listening – so...
Josh Foley’s visceral paintings create visually complex worlds that question the materiality behind the painted image.
Michael Taylor's expressionist compositions speak of an extraordinary intensity and energy maintained over a long and prolific oeuvre.
Paul Davis excavates unexpected resonances between the connected history of California and New South Wales.
Intrinsic to Nyapanyapa Yunupingu's practice is her innovative media and highly individual painterly expression that she describes as ‘mayilimiriw’ – meaningless.
Water seeps into the dark hallways of The Lock-up, a heritage listed former police station and lock-up in Newcastle.
Debra Dawes’ paintings have a visceral effect on the viewer. Her work appears cerebral but derives from experience and emotion.
