With hand and thread, Teelah George chisels open apertures between materiality and the immaterial.
Patricia Piccinini divides opinions with her hand-crafted hybrid objects that dissolve notions of pure entities or borders having ever existed.
Walcha artist Angus Nivison discusses painting three portraits of gallerist, collector and benefactor Chandler ‘Channy’ Coventry AM (1924–99).
Madeleine Pfull writes about her painting process – which involves imagining and imaging herself in future form.
Clifford How’s ‘Antipodean Light’ invites viewers on a solitary traverse across Tasmania’s north-western alpine wilds.
There is a strong physical energy that comes through in Neil Frazer’s paintings that reflects not just their creation but also the process behind the...
Lismore-based Wiradjuri artist Karla Dickens has long been involved in green politics. For Dickens it has all been said and no-one is listening – so...
Honey Long and Prue Stent talk about their collaborative process and ongoing examinations of sexuality, femininity and the landscape.
'My studio is far from heavenly, and my practice nowhere near as ministerial, but I still see it as equally divine...'
The task facing the sector is to ensure that what emerges is proactive and aspirational rather than a mirror of our fears and apathy.
Personalities and figures from the counterculture movement of mid-century Italy collide with those from ancient Rome in the work of Damiano Bertoli.
Peter Cole in many ways is a regional artist – albeit one who adopts a universal perspective in his art.
Hoda Afshar is a Melbourne-based artist and scholar whose photographic practice straddles the line between staged image and reality.
Elisabeth Cummings is not a painter with a single signature. Her work is delicately wrought, possessing a palette that sways from pale to bloodied.
The work of Ken Unsworth is often labelled as conceptual. His first public solo exhibit saw him pale, bare and pinioned to the wall in a...
John R Walker's new series 'Fireground' presents a cycle of paintings pivoted on the age-old theme of destruction and rebirth.
Michael Young looks at the shortcomings of the Sydney Biennale's digital offering during COVID-19.
It may be difficult to name an Australian painter who creates work with as much intellectual rigour as Tom Polo.
Intrinsic to Nyapanyapa Yunupingu's practice is her innovative media and highly individual painterly expression that she describes as ‘mayilimiriw’ – meaningless.
As an Asian in Australia I have always been aware of the fissures and cracks in the colonial project of White Australia.
Writing after the death of Joseph Beuys, Andy Warhol declared that ‘people will be discussing new beauty in Beuys as long as there are people.
‘View from a Bridge’ at Roslyn Oxley9 Gallery is Callum Morton's first show in Sydney in eight years.
The affinity that Indigenous people feel for the land is integral to Warwick Thornton’s art through both his cinematic work and his photography.
