Now in its fourth year, South Australia’s annual celebration of contemporary Aboriginal and Torres Strait Islander art brings together the work of over 1000 First...
In her first Australian solo exhibition in five years, Leila Jeffreys explores new territory.
The rustic characteristics of Merran Esson's ceramics reference the impermanence of the objects that served as vital tools for farm survival.
Sometimes I get asked how I make my work. I’m not so sure, but I think the past is somehow important. Not only how you...
Chinese-Australian artist Guan Wei stood deferentially in front of his self-portrait ‘Plastic Surgery’ (2015)...
Katherine Hattam’s Melbourne house and studio sing with her paintings, in clear, bright sharply defined colours.
Queensland-born, Canberra-based artist Riley Beaumont revels in cage-rattling, prick-kicking and material dissent.
One gets the sense that if you peeled back the painted skin, layer by layer, you could come to understand the intricacies of Gemma Smith's...
Elena Papanikolakis weaves together the cultural histories of her Greek heritage with formative moments from her childhood in Australia.
In Issue 44, Sydney artist Jack Dunbar spoke about his diverse ‘day-to-day’ inside and outside the studio.
In his second solo exhibition, Brisbane-based artist David Hayes focuses his paintbrush on the human experience in our rapidly shrinking global village.
There is something both humorous and unnerving in Graeme Drendel’s work, a tension between the familiar and the absurd.
Shaun Hayes investigates the relationship between throwaway objects and their ability to invoke memories.
Aida Tomescu’s practice, honed over forty years, is compelled by the artist's devotion to teasing out an idea over time.
In Issue 45, Kevin Wilson visited Colin Pennock in his Noosa Hinterland studio to chat about the artist's incredible journey thus far.
Lottie Consalvo’s practice traverses painting, sculpture, performance, video and photography.
Sonia Payes' 'Woman in Bronze' explores creation, destruction, and transformation through a contemporary lens of growing environmental angst.
Annandale Galleries Director Bill Gregory met Goldblatt in 1995 in Johanesburg, where the artist took him out for a day out on ‘the reef’ –...
Sydney Contemporary, for the past four years, has been a microcosmic study of the Australian art market: its symbiotic relationship with international markets and its...
A survey of Archer's work at Campbelltown Arts Centre explores the decades-long practice of an artist committed to exploring the macabre, and even the morbid,...
When visitors step in beneath the half-raised metal-shuttered doors, they are met with a cross between a heavy-metal workshop and a computer lab ringed with...
With their white carapaces forming a protective border against potential threat, the two figures in Christopher Langton’s sculptural installation Colony could be stand-ins for these...
