Michelle Day’s current solo exhibition 'What Remains' at A.N.C.A Gallery explores the beauty of life on a microcellular level.
For over three decades Janet Laurence has been engaging with humanity’s experiential and cultural relationship with the natural world.
In Issue 45 Paul McGillick reflects on the colourful life of his brother; the late Tony's McGillick, whose passionate and expressive paintings celebrated the jouissance...
Hoda Afshar is a Melbourne-based artist and scholar whose photographic practice straddles the line between staged image and reality.
Issue 44's 'Discovery' artist Jackson Farley writes about his multidisciplinary practice, which spans printmaking, textiles, video and sculpture
Darren Sylvester mines the polished world of pop culture to construct narratives about contemporary ennui, pathos and mortality.
What Indigenous art needs most is a major exhibition in a world art capital, says John McDonald.
Bridgette McNab’s tightly choreographed paintings unpack the enduring dialogue between painting and cinema that resounds with the language of illusion.
Sally Smart’s immersive installation, 'The Violet Ballet', continues the South Australian-born artist’s investigation into avant-garde dance company The Ballets Russes
Artist Profile chats to Nicole Welch about the dualities that interlace her media-based practice.
Lottie Consalvo’s practice traverses painting, sculpture, performance, video and photography.
A survey exhibition of Nancy Kunoth Petyarre charts the spirited styles and stories for which this senior artist was renowned.
In talking art after psychoanalysis and Said, the term ‘other’ might be the most wonderfully, acrobatically flexible word in the dictionary of artspeak.
Adam Geczy’s new series, ‘Just Clownin’ Around’ engages with the clown as a universal trope for our contemporary Zeitgeist.
Artist Profile travelled to Charlottesville in the United States to speak with Jenni Kemarre Martiniello.
‘Shapes of Knowledge’ brings together eight projects from artists, collectives and organisations from across the globe.
Justine Varga’s photography has liberated film from the confines of the camera to create 'slow photography'.
In ‘SOFT EYES DUB WISE’ – the new body of work by Melbourne-based artist Sarah crowEST – a pendulum swings between firmness and transience, loudness...
LA-based Australian artist George Byrne chats to AP about his photographic abstractions of urban geometry.
Salvatore Zofrea’s monumental ‘Day Cycle’ is a 122-metre long series depicting the energy of the day in four parts.
Artist Profile caught up with Australian artist Dan Miller in Kim’s Corner Food in Chicago, a convenience store that also contains an art gallery.
The whimsical earthenware sculptures of Lynda Draper create a beguiling space where visuality mingles with tactility.
