Over twenty-five years, South Australian artist Louise Haselton has established a largely sculptural practice in which no material is off-limits
Minky Opens A Gallery is a satirical take on the Sydney art establishment, submersing the audience into the alternatively glitzy and sordid world of art...
Artist Profile presents new work by Chinese-Australian artist Guo Jian at Sydney Contemporary 2019.
'Monet: Impression, Sunrise' at the NGA brings together works from the impressionist master and other artists to examine the founding of an art movement.
John McDonald writes about the life and work of Barbara McKay ahead of her retrospective at New England Regional Gallery.
Michelangelo Russo's new series is the patient result of a year-long process of refinement.
Jo Bertini applies her deep knowledge of the Australian desert to the desert terrain of Abiquiú in Northern New Mexico.
Stefan Dunlop's artworks enigmatically turn the elements of visual design on their head.
Rhys Lee – who typically chooses to let his art speak for itself – took time to sit down with Artist Profile and chat about...
The practice of Indian-born Sydney-based artist Kirtika Kain examines how oppressive power structures have been enforced upon and embodied by generations before her.
Daisy Hamlot’s bold canine paintings bring a wholehearted vibrancy to the CIAF in its tenth year.
A group show at Newcastle’s Lock-Up examines the lightness and the longing of love.
Anthea Polson Art surveys Everton's photographic practice of post-colonial storytelling.
‘Elemental’ is a series of mokulito prints. Why did you choose this method? Mokulito is very new and experimental, and I really enjoy this form...
A crisp artificial sheen settles on the contours of Angelica Mesiti’s face as she gazes at her laptop screen in a windowless room strewn with...
The whimsical earthenware sculptures of Lynda Draper create a beguiling space where visuality mingles with tactility.
Peter Day’s multi-disciplinary practice observes a place somewhere between the technological and the terrestrial.
In Issue 47, Ian Were writes a tribute piece about the contagious incandescence and vitality of his late partner, artist Debra Porch (1954–2017).
The NGV showcases a father and daughter working over the advent of Modernism in Australia.
Kawita Vatanajyankur's work explores the burdens of hard physical labour expected of women in traditional Thai society.
Heather Shimmen weaves the historical and the utopian together in a mythic landscape of the mind.
Jennifer Joseph’s work is the emotively charged product of a life lived at full, nocturnal, intensity.
Joe Frost gives his paintings a kind of autonomy; they want to be or become things that are partially obscure to him.
