The rustic characteristics of Merran Esson's ceramics reference the impermanence of the objects that served as vital tools for farm survival.
Sometimes I get asked how I make my work. I’m not so sure, but I think the past is somehow important. Not only how you...
Chinese-Australian artist Guan Wei stood deferentially in front of his self-portrait ‘Plastic Surgery’ (2015)...
Katherine Hattam’s Melbourne house and studio sing with her paintings, in clear, bright sharply defined colours.
One gets the sense that if you peeled back the painted skin, layer by layer, you could come to understand the intricacies of Gemma Smith's...
Elena Papanikolakis weaves together the cultural histories of her Greek heritage with formative moments from her childhood in Australia.
In Issue 44, Sydney artist Jack Dunbar spoke about his diverse ‘day-to-day’ inside and outside the studio.
There is something both humorous and unnerving in Graeme Drendel’s work, a tension between the familiar and the absurd.
Aida Tomescu’s practice, honed over forty years, is compelled by the artist's devotion to teasing out an idea over time.
In Issue 45, Kevin Wilson visited Colin Pennock in his Noosa Hinterland studio to chat about the artist's incredible journey thus far.
Lottie Consalvo’s practice traverses painting, sculpture, performance, video and photography.
Sonia Payes' 'Woman in Bronze' explores creation, destruction, and transformation through a contemporary lens of growing environmental angst.
A survey of Archer's work at Campbelltown Arts Centre explores the decades-long practice of an artist committed to exploring the macabre, and even the morbid,...
When visitors step in beneath the half-raised metal-shuttered doors, they are met with a cross between a heavy-metal workshop and a computer lab ringed with...
With their white carapaces forming a protective border against potential threat, the two figures in Christopher Langton’s sculptural installation Colony could be stand-ins for these...
Sally Anderson speaks about how the deeply autobiographical, the metaphorical and the observed intertwine in her painting practice.
There is a revolutionary mood in Savanhdary Vongpoothorn’s new paintings. This Lao-Australian artist returned to the Mekong River to learn from its histories and sacred...
Artist Profile visits Fiona Lowry to discuss how the histories and stories of the Australian bush inform her contemporary renderings of landscape.
Paul Selwood is one of Australia’s foremost sculptors, creating fluid, complex works, often from a single sheet of steel.
Emma Walker’s paintings have the rare quality of stirring feelings of vague recollection within the subliminal mind.
Over twenty-five years, South Australian artist Louise Haselton has established a largely sculptural practice in which no material is off-limits
Gunybi Ganambarr tells us in his own words – both Yolŋu and English – about how his elders led him to his art, and how...
