Patricia Piccinini divides opinions with her hand-crafted hybrid objects that dissolve notions of pure entities or borders having ever existed.
Madeleine Pfull writes about her painting process – which involves imagining and imaging herself in future form.
Clifford How’s ‘Antipodean Light’ invites viewers on a solitary traverse across Tasmania’s north-western alpine wilds.
There is a strong physical energy that comes through in Neil Frazer’s paintings that reflects not just their creation but also the process behind the...
Honey Long and Prue Stent talk about their collaborative process and ongoing examinations of sexuality, femininity and the landscape.
'My studio is far from heavenly, and my practice nowhere near as ministerial, but I still see it as equally divine...'
Hoda Afshar is a Melbourne-based artist and scholar whose photographic practice straddles the line between staged image and reality.
Elisabeth Cummings is not a painter with a single signature. Her work is delicately wrought, possessing a palette that sways from pale to bloodied.
The work of Ken Unsworth is often labelled as conceptual. His first public solo exhibit saw him pale, bare and pinioned to the wall in a...
It may be difficult to name an Australian painter who creates work with as much intellectual rigour as Tom Polo.
Intrinsic to Nyapanyapa Yunupingu's practice is her innovative media and highly individual painterly expression that she describes as ‘mayilimiriw’ – meaningless.
The affinity that Indigenous people feel for the land is integral to Warwick Thornton’s art through both his cinematic work and his photography.
In Issue 42, Robyn Sweaney spoke about her artistic journey from the interior realm of the still life to nostalgic suburban streetscapes.
In Issue 46, Artist Profile travelled to Bruce James' home and studio in Ayr, North Queensland, as the artist prepared for his first solo exhibition.
First Nations choreographer and dancer Amrita Hepi writes about her life and practice, in her own words.
In Issue 45, Kevin Wilson visited Colin Pennock in his Noosa Hinterland studio to chat about the artist's incredible journey thus far.
Lisa Reihana draws from her own Maori culture to bring Maori histories to life, extending breath into contemporary and recent narratives.
Dale Frank’s work from the early 1970s to now appears to be without a beginning or an end, constantly evolving from one work to the...
Grace Blake’s installations are visions of ecologies that pose doubt and aporia, speaking to present-day realities and anxieties.
In the midst of COVID-19, many galleries have closed their doors to the general public. However, there is still art to be found.
