Dale Frank’s work from the early 1970s to now appears to be without a beginning or an end, constantly evolving from one work to the...
Kawita Vatanajyankur's work explores the burdens of hard physical labour expected of women in traditional Thai society.
Jennifer Joseph’s work is the emotively charged product of a life lived at full, nocturnal, intensity.
In Issue 46, Artist Profile travelled to Bruce James' home and studio in Ayr, North Queensland, as the artist prepared for his first solo exhibition.
Known for her multi-media installations featuring a variety of hand-honed materials, Fiona Hall is focusing her energies on the fraught subject of war.
Tim McMonagle intimately confronts both the fragile and robust nature of life. Artist Profile spoke to McMonagle in his Melbourne studio for Issue 46.
Tenderness is at the centre of the portraiture and landscape works in Bill Henson’s solo show at Roslyn Oxley9 Gallery.
Sally Anderson speaks about how the deeply autobiographical, the metaphorical and the observed intertwine in her painting practice.
Kim Guthrie’s solo exhibition at USC Gallery, 'River’s Edge', interrogates relationships between people and place.
Adelaide-based artist Joseph Haxan chats about suburbia, the Occult, Photoshop and the flimsy border between 'Humanity' and 'Nature'.
Michael Young chats to Richard Bell about his failed Venice proposal and his forthcoming exhibit at London's Tate Modern.
In Issue 43, 2018, Tony Costa wrote about his obsessive affiliation with the Australian landscape.
There’s an intuitive sensibility in the way June Tupicoff has approached her art-making.
Issue 45's 'Discovery' artist Francesca Zak discusses how she engages with technological detritus in her practice.
In Issue 39, Idris Murphy enlightened us on the art of the heliograph – a lesser-known part of his practice and complimentary process to his...
A mid-career survey of the work of Arlo Mountford that is playful, critical, disillusioned and optimistic.
Dan Kyle's paintings are translations of what he sees – the beauty, the unique forms, the colours – articulating the bush in his own light....
Leach-Jones's vibrant, inquisitive painting practice is celebrated in an exhibition remembering the great artist, teacher, and friend.
A survey of Archer's work at Campbelltown Arts Centre explores the decades-long practice of an artist committed to exploring the macabre, and even the morbid,...
Yhonnie Scarce is a Kokatha and Nukunu artist who employs the medium of glass to dazzling effect
For over three decades Janet Laurence has been engaging with humanity’s experiential and cultural relationship with the natural world.
Hoda Afshar is a Melbourne-based artist and scholar whose photographic practice straddles the line between staged image and reality.
