Sometimes I get asked how I make my work. I’m not so sure, but I think the past is somehow important. Not only how you...
Amos Gebhardt’s immersive multi-channel video works offer affective moments of exchange between viewer and artwork.
The exhibition ‘Destiny’ surveys an impactful body of work by Australian artist and activist Destiny Deacon.
Simon Finn’s practice has always oscillated between zones of sheer beauty and utter entropy.
Chris Langlois has been painting dreamy, abstract landscapes for almost thirty years. His canvases reveal the magic of a horizon as the colours and light...
Be prepared to be dazzled by Linda Marrinon. She’s an artist whose work is honest, considered and multi-levelled
There’s an intuitive sensibility in the way June Tupicoff has approached her art-making.
In Issue 44, we visit the fascinating studio of Melbourne artist Oscar Perry
For the Los Angeles-based Australian artist Anna Carey, architecture and photography serve as partial means to an end...
Sally M Nangala Mulda’s depiction of her biographical truths in paint are a long way from the seductive romance of much regional Aboriginal art
Joyce Campbell’s interdisciplinary practice challenges the conventions and limitations of landscape representation.
Underwater ruins and antiquated atlases form sites of inspiration for Polish-born Australian artist Izabela Pluta.
Billy Bain is an emerging artist who explores the medium of clay alongside painting and printmaking to unpack ideologies surrounding Australian masculinity
Jude Rae works in conversation with space and light, playing with the eye of the viewer as her works shift and coalesce between representation and abstraction.
ARTIST PROFILE speaks to Joanna Braithwaite in her Sydney studio about all that drives and inspires her.
Harrie Fasher’s bronze and steel equine forms evoke the human vulnerabilities of life, death, struggle and war.
Patricia Piccinini divides opinions with her hand-crafted hybrid objects that dissolve notions of pure entities or borders having ever existed.
Madeleine Pfull writes about her painting process – which involves imagining and imaging herself in future form.
Clifford How’s ‘Antipodean Light’ invites viewers on a solitary traverse across Tasmania’s north-western alpine wilds.
There is a strong physical energy that comes through in Neil Frazer’s paintings that reflects not just their creation but also the process behind the...
