Over twenty-five years, South Australian artist Louise Haselton has established a largely sculptural practice in which no material is off-limits
Gunybi Ganambarr tells us in his own words – both Yolŋu and English – about how his elders led him to his art, and how...
John McDonald writes about the life and work of Barbara McKay ahead of her retrospective at New England Regional Gallery.
Michelangelo Russo's new series is the patient result of a year-long process of refinement.
Rhys Lee – who typically chooses to let his art speak for itself – took time to sit down with Artist Profile and chat about...
With the sad news of Gordon Shepherdson's passing on 18 July 2019, we look back to Issue 42 when Louise Martin-Chew wrote about the artist's...
The practice of Indian-born Sydney-based artist Kirtika Kain examines how oppressive power structures have been enforced upon and embodied by generations before her.
Artist Profile visited Culliton’s property and studio to experience the life she has cultivated that inspires her creative output.
Daisy Hamlot’s bold canine paintings bring a wholehearted vibrancy to the CIAF in its tenth year.
In Issue 40, Amber Boardman discusses the idiosyncrasies of her practice inside and outside the studio.
A crisp artificial sheen settles on the contours of Angelica Mesiti’s face as she gazes at her laptop screen in a windowless room strewn with...
The whimsical earthenware sculptures of Lynda Draper create a beguiling space where visuality mingles with tactility.
Peter Day’s multi-disciplinary practice observes a place somewhere between the technological and the terrestrial.
Dale Frank’s work from the early 1970s to now appears to be without a beginning or an end, constantly evolving from one work to the...
Kawita Vatanajyankur's work explores the burdens of hard physical labour expected of women in traditional Thai society.
Jennifer Joseph’s work is the emotively charged product of a life lived at full, nocturnal, intensity.
In Issue 46, Artist Profile travelled to Bruce James' home and studio in Ayr, North Queensland, as the artist prepared for his first solo exhibition.
Known for her multi-media installations featuring a variety of hand-honed materials, Fiona Hall is focusing her energies on the fraught subject of war.
Tim McMonagle intimately confronts both the fragile and robust nature of life. Artist Profile spoke to McMonagle in his Melbourne studio for Issue 46.
Tenderness is at the centre of the portraiture and landscape works in Bill Henson’s solo show at Roslyn Oxley9 Gallery.
Sally Anderson speaks about how the deeply autobiographical, the metaphorical and the observed intertwine in her painting practice.
Kim Guthrie’s solo exhibition at USC Gallery, 'River’s Edge', interrogates relationships between people and place.
Adelaide-based artist Joseph Haxan chats about suburbia, the Occult, Photoshop and the flimsy border between 'Humanity' and 'Nature'.
Michael Young chats to Richard Bell about his failed Venice proposal and his forthcoming exhibit at London's Tate Modern.
In Issue 43, 2018, Tony Costa wrote about his obsessive affiliation with the Australian landscape.
