For over three decades Janet Laurence has been engaging with humanity’s experiential and cultural relationship with the natural world.
Hoda Afshar is a Melbourne-based artist and scholar whose photographic practice straddles the line between staged image and reality.
Issue 44's 'Discovery' artist Jackson Farley writes about his multidisciplinary practice, which spans printmaking, textiles, video and sculpture
Bridgette McNab’s tightly choreographed paintings unpack the enduring dialogue between painting and cinema that resounds with the language of illusion.
Artist Profile chats to Nicole Welch about the dualities that interlace her media-based practice.
Lottie Consalvo’s practice traverses painting, sculpture, performance, video and photography.
LA-based Australian artist George Byrne chats to AP about his photographic abstractions of urban geometry.
Salvatore Zofrea’s monumental ‘Day Cycle’ is a 122-metre long series depicting the energy of the day in four parts.
Artist Profile caught up with Australian artist Dan Miller in Kim’s Corner Food in Chicago, a convenience store that also contains an art gallery.
The whimsical earthenware sculptures of Lynda Draper create a beguiling space where visuality mingles with tactility.
There is something both humorous and unnerving in Graeme Drendel’s work, a tension between the familiar and the absurd.
In Issue 43, Peter Hudson wrote about his artistic journey from childhood to the present.
The work of Caroline Garcia explores the shifting territory between intersectional feminism, diasporic politics and pop culture through a cinematic lens.
Reclusive New Zealand artist Martin Thompson proved to be a hard person to track down.
In Issue 42, Robyn Sweaney spoke about her artistic journey from the interior realm of the still life to nostalgic suburban streetscapes.
In Issue 44, Richard Bell takes us into his studio and talks about his provocative 2019 Venice Biennale proposal
Artist Profile chats to Sydney artist Matthew Bromhead about his various methods of making.
The paintings, sculptures and films by British artist Toby Ziegler excavate the various fissures that exist between formal and conceptual thresholds.
In Issue 44, Sydney artist Jack Dunbar spoke about his diverse ‘day-to-day’ inside and outside the studio.
Elisabeth Cummings is not a painter with a single signature. Her work is delicately wrought, possessing a palette that sways from pale to bloodied.
Science combines with Romantic ideas in the work of Emily Parsons-Lord to create explosions, experiments and ephemeral installations that examine Nature under all its guises.
Bridget Macleod speaks to Adam Pyett about the personal importance of producing a 'rewarding painting'.
