Issue 10

Sam Field’s paintings humbly tackle the complex puzzle of Australian cultural identity, traversing history, landscapes, folklore, popular culture and politics. 

In Tonee Messiah's new work, familiar movements and spatial relationships have been reanalysed by the unexpected confines of her home during the COVID-19 lockdown.

In Issue 42, Robyn Sweaney spoke about her artistic journey from the interior realm of the still life to nostalgic suburban streetscapes.

In Issue 46, Artist Profile travelled to Bruce James' home and studio in Ayr, North Queensland, as the artist prepared for his first solo exhibition.

First Nations choreographer and dancer Amrita Hepi writes about her life and practice, in her own words.

Spirals of smoke eddy voluptuously through the dense black fields of Paul Uhlmann's recent canvases.

The hybrid worlds of Alice Wormald propose a new kind of opticality

Joseph Beuys Cafe is a small Melbourne gallery established by collector Ian George, showcasing his extensive collection of works by Joseph Beuys.

In Issue 45, Kevin Wilson visited Colin Pennock in his Noosa Hinterland studio to chat about the artist's incredible journey thus far.