Issue 10

Eleanor Louise Butt talks about the ways in which her works ‘speak’ to each other, conversing and sharing expressions across multiple planes until a melody...

Tu’u’s new work is, indeed, an exploration of resolution: visually, chemically, and perhaps in a sense more greatly abstracted. Developing the abstraction of his earlier...

Intrinsic to Nyapanyapa Yunupingu's practice is her innovative media and highly individual painterly expression that she describes as ‘mayilimiriw’ – meaningless.

David Griggs’ first solo show in Melbourne in eight years features a suite of painterly portraits responding to a socially and politically turbulent year.

Melbourne-based, South Sudan-born artist Atong Atem’s vibrant palette and beautifully stylised imagery draws the viewer into a narrative that belies its facade

Annabel Nowlan’s 'Vernacular' (2020) pitches linguistic and cartographic modes of meaning-making towards each other.

‘‘Til It’s Gone’ brings together a trio of Australian artists each approaching themes of ecology, geomorphology, time and ruin...

As we enter lockdown again on the Northern Beaches, Alana Wilson’s work inspires us to look closer at nature and our immediate surroundings.

‘Barka: The Forgotten River’, recently presented at the Murray Bridge Regional Art Gallery, South Australia, is about symbiosis.