Issue 10

Michelle Day’s current solo exhibition 'What Remains' at A.N.C.A Gallery explores the beauty of life on a microcellular level.

For over three decades Janet Laurence has been engaging with humanity’s experiential and cultural relationship with the natural world.

In Issue 45 Paul McGillick reflects on the colourful life of his brother; the late Tony's McGillick, whose passionate and expressive paintings celebrated the jouissance...

Hoda Afshar is a Melbourne-based artist and scholar whose photographic practice straddles the line between staged image and reality.

Kaylene Whiskey is an artist who is fast turning into a household name.

Issue 44's 'Discovery' artist Jackson Farley writes about his multidisciplinary practice, which spans printmaking, textiles, video and sculpture

Darren Sylvester mines the polished world of pop culture to construct narratives about contemporary ennui, pathos and mortality.

What Indigenous art needs most is a major exhibition in a world art capital, says John McDonald.

Bridgette McNab’s tightly choreographed paintings unpack the enduring dialogue between painting and cinema that resounds with the language of illusion.