Issue 10

Shaun Hayes is a ceramicist who investigates the relationship between throwaway objects and their ability to invoke memories in his new show at Stanley Street...

In his second solo exhibition, Brisbane-based artist David Hayes focuses his paintbrush on the human experience in our rapidly shrinking global village.

There is something both humorous and unnerving in Graeme Drendel’s work, a tension between the familiar and the absurd.

Aida Tomescu’s practice, honed over forty years, is compelled by the artist's devotion to teasing out an idea over time.

In Issue 45, Kevin Wilson visited Colin Pennock in his Noosa Hinterland studio to chat about the artist's incredible journey thus far.

Lottie Consalvo’s practice traverses painting, sculpture, performance, video and photography.

Sonia Payes' 'Woman in Bronze' explores creation, destruction, and transformation through a contemporary lens of growing environmental angst.

Annandale Galleries Director Bill Gregory met Goldblatt in 1995 in Johanesburg, where the artist took him out for a day out on ‘the reef’ –...

Sydney Contemporary, for the past four years, has been a microcosmic study of the Australian art market: its symbiotic relationship with international markets and its...