Issue 4
News
Brief
Deadlines
Profiles
Nigel Milsom
Sangeeta Sandrasegar
Euan Macleod
Sara Hughes
Robert Juniper
Isidro Blasco
Emma Walker
Dadang Christanto
Enrique Martinez Celaya
Michael Zavros
Features
Opinion: Sebastian Smee
History: Joy Hester
Opinion: Richard Larter
Institution: Artist Run Initiatives
Process
Exhibition: Biennale of Sydney
Raquel Ormella and TV Moore
Trevor Weekes: On Walton Ford
Process: The Rug Project
Exhibition: The Lost Buddhas
Art Gallery of New South Wales
Perspective: Steve Lopes
Easy On Your Own
Perspective: Joe Frost
Conversations from the Field
Technical: Gouache
Reg Mombassa: On Colin McCahon
Books
Subscribe
Focus: Bill Brown
Wilson Street Gallery
Must See Exhibitions
Final Word: Noel McKenna
Cover Euan Macleod in his studio
Photography Tony Lopes
Without fanfare, a small group of works by an important American artist of the twentieth century were given a rare showing in Sydney last month....
“Smashing the frame,” “moving past the border,” and “breaking out of our structures” are some of the expressions Kellie O’Dempsey uses to describe her need...
The inscription could not have come as a surprise: Parr has long worked with language in a way that is pointed and political. An editioned...
Mein began creating “textile pictures” in 1977, applying an almost forensic level of detail to her exploration of the natural world. She eschewed the “quintessential”...
The notion of a contemporary art biennial as a site of refuge is appealing, if somewhat unexcepted, in our current climate. Biennials generally brim with...
Chris Dyson has spent the better part of fifty years producing a prolific body of work, including drawings, paintings, and sculptures. However, there is scant...
Fairy Tales, curated by Amanda Slack-Smith at the Gallery of Modern Art (GOMA), is a remarkable exhibition, featuring over a hundred works assembled from genres...
Jónsi’s Hrafntinna (Obsidian) and Jean-Luc Moulène and Teams are two of Mona’s three showcase temporary exhibitions. While Jónsi’s installation arouses an emotional and even transcendental...
For Sydney-based, Auckland-born artist Michael McHugh his colourful paintings are informed by the reordering of plant form DNA; he undertakes extensive research in the field...